Winnie Harlow proves herself to be wild at Met Gala after-party
Winnie Harlow proves herself to be a true wild thing as she flashes her assets from beneath sheer leopard print catsuit at Met Gala after-party
She is one of the world’s top supermodels.
And Winnie Harlow proved just why on Monday evening as she hit the after-party of the Met Gala, following a glitzy appearance on the red carpet at NYC’s Metropolitan Museum of Art for the opening of the Costume Institute’s annual fashion exhibit.
The 24-year-old stunner looked incredible in a leopard print catsuit with a racy waspie and matching boots – however the ensemble was given the edge with the sheer material and her braless state underneath.
Oh my! Winnie Harlow proved just why on Monday evening as she hit the after-parties of the Met Gala, following a glitzy appearance on the red carpet at NYC’s Metropolitan Museum of Art and the opening of the Costume Institute’s annual fashion exhibit
Winnie, real name Chantelle Brown-Young, ensured all eyes were on her as she flashed her assets from beneath the sheer one-piece.
The ensemble replicated hosiery due to its sheer material while she wowed further by adding in thigh-high boots with the addition of the corset.
Earlier in the evening, the model bared her incredibly toned figure in a gold dress, embellished with huge cutaway features and a sizzling thigh-high slit.
Upping the style ante, the America’s Next Top Model star added a striking contrast to her look with a black feathered shawl.
Sizzling: The 24-year-old stunner looked incredible in a leopard print catsuit with a racy waspie and matching boots – however the ensemble was given the edge with the sheer material and her braless state underneath
Strutting her stuff: The ensemble replicated hosiery due to its sheer material while she wowed further by adding in thigh-high boots with the addition of the corset
The TV personality boosted her physique in a pair of strappy heels and toted a gold ball-shaped handbag.
She kept in theme with her bold appearance as she sported a blonde cropped wig and accentuated her beauty with pink-toned make-up.
Winnie finished off her statement look with a peacock-inspired headpiece, and was dripped in dazzling dangle earrings.
The Met Gala is the annual fundraiser for the Metropolitan Museum of Art’s Costume Institute and is the most glittery and exclusive event on the New York fashion calendar.
Look at me! Winnie, real name Chantelle Brown-Young, ensured all eyes were on her as she flashed her assets from beneath the sheer one-piece
Nothing to the imagination: Earlier in the evening, the model bared her incredibly toned figure in a gold dress, embellished with huge cutaway features and a sizzling thigh-high slit
Stunning: She kept in theme with her bold appearance as she sported a blonde cropped wig and accentuated her beauty with pink-toned make-up
Incredible: She finished off her statement look with a peacock-inspired headpiece, and was dripped in dazzling dangle earrings
It is famous for attracting luminaries of Hollywood, of fashion, music, sports, TV and the stage for an evening of fashion and charity to mark the museum’s spring exhibit.
This year, the exhibit and gala are dedicated to the idea of ‘camp,’ as defined by Susan Sontag’s 1964 essay Notes on ‘Camp.’
The Met Gala, formally known as the Costume Institute Benefit, is always chaired by a team of high-wattage celebrities, and this year is no exception.
The event is chaired by pop star and actress-of-the-moment Lady Gaga, tennis star Serena Williams, and singer Harry Styles, along with Gucci designer Alessandro Michele and, as always, Vogue editor Anna Wintour.
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So what exactly is ‘camp’?
The museum’s exhibition is based on ‘Notes on Camp,’ an essay written in 1964 by American author Susan Sontag.
‘Camp is by nature subversive (…) confronting and challenging the status quo,’ the Costume Institute’s head curator Andrew Bolton said Monday at a press event about the exhibition before the gala.
‘In the end, the purpose of camp is to put a smile on our faces and a warm glow in our hearts.’
Some of the items in the exhibition might best explain the theme: the ‘swan dress’ worn by Bjork to the Oscars, a glittering costume worn by flamboyant US singer Liberace, a shower head necklace designed by the late Karl Lagerfeld for Chloe in the 1980s.
‘We’re experiencing a resurgence of camp — not just in fashion, but in culture in general,’ said Bolton.
‘Camp tends to come to the fore in moments of social and political instability. The 1960s was one such moment as were the 1980s.’
The exhibition ‘Camp: Notes on Fashion’ — a play on the title of Sontag’s essay — formally opens at the Met on Thursday and runs through September 8.
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